Tuesday, February 21, 2012

ART from coffee stains!


Read this inspirational article about a young artist who manipulates coffee, as well as other interesting media, to create her original work.
http://www.stumbleupon.com/su/1h0FUQ/inhabitat.com/hong-yi-paints-an-incredible-portrait-using-coffee-stains/

Thursday, January 26, 2012

luscious example of multiples



Kim Froshin , 2010
media: acrylic, ink, collaged papers,playing cards , dry pigment, pencils,on heavy illustration board mounted to archival board
size :32"x 32"

Clovers & Hearts: Spring Cokework

Wednesday, September 28, 2011

Food for Thought

Yesterday this was my quote of the day on my whiteboard:

"A camera is truly a license to explore."   Jerry Uelsmann

Pingree '12 saw that, and then read me this quote from his phone (from his art history class) :

"The quality of the photographic image depends not on the camera, but on the choices made by the artist who uses it."  

When I arrived this morning Siegle '13 had added this third quote to the board:

"A photographer went to a socialite party in NY.  As he entered the front door, the host said 'I love your pictures- they're wonderful; you must have a fantastic camera.'  He said nothing until dinner was finished, then: 'That was a wonderful dinner; you must have a terrific stove.'"   Sam Haskins

What do you think?

Saturday, September 17, 2011



These are my observational drawing over the summer. The right piece is drawing of my motocycle which is posted.

Saturday, September 3, 2011















I tried new things during summer. I have been making models. It was harder to make them than I thought. The motorcycle is made out of the metals and the other two is make out of plastics. I had to put every pieces together with glue.

Sunday, August 14, 2011



I did a media study of Monet's "Bridge over pond of water lillies" completely out of Sharpie. I though it was a new and interesting media to study. I love this painting and Monet's work. I think his use of vibrating brush strokes and impressionism is amazing. another thing i love about him is how his brush strokes depict the fluctuations of light. And also how his paintings evoke a sense of immediacy.

I did a media study of Degas "Ballerinas" using charcoal. It was so much fun to use and i like to get messy when i do art. When i saw this painting, it evoked a sense of mystery as well as tranquility.

I did an observational drawing of my dad while he was sleeping. He just underwent surgery and i was taking care of him while my mom was in New York. He fell asleep so i decided to draw him. I think it came out well.

POST 2



I did a painting of "the Scream". I used water colors. I really tried to match the colors exactly. I tried to use different strokes as well.
<--- I did an observational drawings of my friend Ashley. She was actually sleeping while i did this. We had a movie night and she passed out on the couch. I couldn't help but take the opportunity to draw her.

Thursday, July 14, 2011

New Media!!!!!!

This is my new media, this material Is a kind of water color, but the differences from the normal water color is that this kind of water color is opaque, it has strong adhesion ability, which it can cover the previous layer of color well.

The above piece is an observational painting of a set of still life. The following painting is an abstract landscape painting, I changed some color to make the contrast pop out, and i also used thick brush just to illustrate to "movement" of the trees.

 It's a lot of fun to do painting like this!!! you don' t even have to worry if you are on the right track of painting the "precise" object, you just let the brush go with your heart and hand!~~:0

another drawing : )

this is a constructional-observational drawing, a combination of 7 geometrical objects. 
Constructional drawing means i have to draw every edges and angle of these objects even i can't see much of them, and illustrate less "light and dark". The purpose to do this is to get a better understanding of how these objects are shaped, and the features of them.  This piece is also 22 x 17 inches.

observational drawings~~~

this is a still life that i was drawing from

This is one of my observational drawing that i have been working on in an art studio in my town. This one is a complex combination of a group of chairs, in order to harmonize the wholeness, a round rock and a soft fabric are added.  It took me almost 4 and a half hour to finish this construction. It was really hard to find the precise shape and combination. Of course, the real piece is a lot bigger than this image looks, the real work is 22 x 17 inches

some pages on my IWB


These are some pages on my IWB, this page is my work on the autobiographical writing.

The following pages are the summary of what i have learned last year and some future goals, and there are also some photographs of my previous work.


Saturday, July 2, 2011

New Media for Me :)








There are many more where these come from, but I feel like I have already over posted :O

DtL Continued

Another water color from the class I took.

DtL Continued


(1st) Ehhh still not satisfied with that bamboo
(2nd) I was a bit frustrated at this point... having difficulty with this spot, I had trouble communicating the bamboo in the background.. I guess its my punishment for not sketching it first.
(3rd) I decided to just not include the bamboo and I had better results, composition and communicating

DtL Continued

More from Drawing the Landscape

Drawing the Landscape with Amy Bartlett Wright


I took an art class through RISD, "Drawing the Landscape".. I learned how to use certain colors and textures to make objects appear closer vs far away in the distance. The class toured the Blithewold landscape and picked exciting areas such as the pong with an old stone bridge and benches, or the fountains next to the river.. However, after my tour of the garden, I walked it again trying to pick a simple 1,2,3 spot (explained later) with a good composition, because I am strict about compositions.... It may sound easy but its actually really intimidating to be asked to draw a landscape.. Amy taught us how using "3 main points", in this photo #1 is the two trees in front with the most texture, #2 is the two trees in the upper middle ish that are further 'up' the page with less texture and # 3 is the blurry forest in the background. The main thing about your three objects is that #1 needs to be warm and textured like you could step on the soil and #3 needs to be cooler colored with not alot of personality, just kind of present. #2 is somewhere in between. After Drawing it, I painted the same spot with water color to try out my colors.